Structure and its Malleability
How important is a predetermined structure in your work? What is the dialogue (if any) between this structure and the intuition? Does the structure leave room for sentiment, play, improvisation? What would you think if your final work bears little or no resemblance to the structure which conceived it?
How important is a predetermined structure in your work? What is the dialogue (if any) between this structure and the intuition? Does the structure leave room for sentiment, play, improvisation? What would you think if your final work bears little or no resemblance to the structure which conceived it?
We discussed these questions as well as how one could potentially create sounds with no reference to existent instruments. Brandon also shared a recording of his recent work, Saving Beauty, for solo Cor Anglais and electronics, as well as other experiences from his year at Royal Conservatory of The Hague, Netherlands.